Magali Daniaux & Cédric Pigot are a duo of artists who work with both clay and pixels. They are interested in the impacts of climate change and its cultural, socio-economic, and strategic implications, as well as ancestral practices close to nature and the latest technological developments. At the crossroads of the organic and the digital, their composite art can take the form of sculptures, drawings, installations, sound performances, or poetic and literary texts.
Their works have been exhibited at Polaris, in 2022/23; Laboral in Spain, 2022; Abbaye de Maubuisson, 2021; Museo Reina Sofia in Madrid, 2020/21; Transpalette in Bourges, 2019; Biennale Némo in Paris, 2019; Terminal B, Kirkenes in Norway, 2017; Festival acce)s( in Pau, 2016; Le Parvis in Tarbes, 2016; Anchorage Museum in Alaska, 2015; Jeu de Paume, Paris, 2014; Venice Biennale of Architecture, 2014; Ultima Festival at Oslo Opera, 2011; Palais de Tokyo, Paris, 2011; 100 Tonson Gallery, Bangkok, 2005; Dashanzi Art Festival, Beijing, 2004.
In 2017, they founded Éditions UV, which publishes nonfiction books on the arts, philosophy, anthropology, media criticism, technology, political ecology, feminism, cinema, animal rights, radio art, offshore finance, space ecology, love and intimacy in the digital age, generative AI and pyropictomania, and the Ecology of Earth-Beings.
